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Script Of Every Gult Movie Ever.

July 19, 2011

Disclaimer: I know zilch about screenwriting. Purely fictional. Any resemblance with any movie is purely coincidental.

INSIDE AN OLD WORKSHOP.

LONG SHOT of an empty workshop with lot of loose wires and some sparks. The place is damp, and very dimly lit. Sunlight creeps in through a broken window pane from the far corner of the workshop. The camera slowly PANS around the workshop and stops.

A person tied to a chair with cycle chains and ropes.

CLOSE UP The person, Appa Rao, has blood all over his face and an eye  is closed. He has a peaceful look and doesn’t seem to be in pain.

OUTSIDE THE WORKSHOP.

Two armed men keep a watch over the workshop’s small gate. CLOSE UP One man lights a cigarette and throws the light match into a box.

Explosion.

The two men chuckle.

OUTSIDE BURJ KHALIFA.

The camera moves briskly towards a group of people coming out of the building and walking into a fleet of Tata Sumos. The camera fleetingly hovers over a menacing looking logo (Grenade with two swords) on one of the Tata Sumos.

PAN TOWARDS a suave and sophisticated Konda Rao walking out of the building.

Konda Rao’s phone rings, and he answers. He laughs menacingly.

CAMERA SHIFTS focuses towards the sky with Konda Rao’s laughter echoing in the background.

INSIDE AN OLD WORKSHOP.

ELEVATED SHOT  Appa Rao is in a meditated state. He has a smile on his face. CAMERA PANS DOWN towards the left and shows the side profile of a brooding Appa Rao.

OUTSIDE CHARMINAR.

FOCUS ON BANGLES and PAN towards Subbalakshmi, who is buying bangles near Charminar. FOCUS on eyes and and hands.

Song in Maldives.

INSIDE A BUILDING WITH A VIEW OF THE PETRONAS TOWERS.

ASSISTANT’S P.O.V talking to a silhouette of Pedda Babu.

LONG SHOT of the room as Pedda Babu breaks a mirror in the room.

INSIDE AN OLD WORKSHOP.

ELEVATED SHOT as Appa Rao takes a deep breath and squeezes himself out of the chair. He looks for a computer  in a broken workshop and finds a MacBook on a table.

He takes out his Nokia 2310 and tethers it with the MacBook.

OUTSIDE BURJ KHALIFA.

FOCUS on Konda Rao as he talks into the phone with Pedda Babu. Pedda Babu promises to finish him. Konda Rao tells him nobody can find him.

OUTSIDE THE WORKSHOP.

ELEVATED SHOT from the workshop entrance as the two armed men hear noises and walk into the workshop. CAMERA REMAINS STATIONARY IN THE SAME PLACE as the two men come crashing out of the workshop and are immobilised.

OUTSIDE CHARMINAR.

LONG SHOT as Subbalakshmi bargains with the shopkeeper.

REAR ANGLE when three goons arrive at the shop and try forcing Subbalakshmi into a car.

STEADICAM follows Subbalakshmi as she runs from the scene and the goons chase her.

INSIDE AN OLD WORKSHOP.

REAR ANGLE as a silhouette of Appa Rao working on the MacBook is shown. He stares into the sea through the broken window pane.

SEPIA TONE AS FLASHBACK BEGINS.

ON A MOUNTAIN

ELEVATED SHOT shows Appa Rao climbing a steep mountain in tough conditions. a CAMERA PAN towards the right side shows a Helicopter chasing him.

HELICOPTER PILOT P.O.V as the helicopter hovers closer to Appa Rao.

FOCUS on Appa Rao as he prays to his Grandfather and slaps his thigh.

Helicopter experiences turbulence due to the air ripples created and goes back a little.

OUTSIDE GODAVARI BRIDGE.

FOCUS ON BANGLES and PAN towards Jambhavanti, who is buying bangles in a shop in Rajamundry. FOCUS on eyes and and hands.

ON A MOUNTAIN

FOCUS on Appa Rao as he climbs the mountain briskly.

He glances towards his left to find Jambhavanti dancing in the lush green fields and is immediately smitten by her.

Jambhavanti observes Appa Rao observing her and falls for him as well.

Song near Godavari River.

INSIDE THE HELICOPTER

Konda Rao urges the Pilot to go closer to the cliff so that he can take aim at Appa Rao.

HELICOPTER P.O.V as the Helicopter hovers closer to Appa Rao.

Konda Rao shoots Appa Rao.

Appa Rao falls from the cliff.

Jambhavanti, who watches this, dies of heart attack.

GRADUAL CHANGE IN TINT FROM SEPIA TO COLOUR AS FLASHBACK ENDS.

INSIDE AN OLD WORKSHOP.

FOCUS on Appa Rao whose eyes swell for the first time.

Appa Rao wipes his tears and gets back to work.

OUTSIDE A BUILDING WITH A VIEW OF THE PETRONAS TOWERS.

LONG SHOT as Pedda Babu hurries towards a Helicopter and gets into the Helicopter.

Explosion.

CAMERA FOCUS on a Ferrari with Konda Rao inside.

Konda Rao rolls down the window.

Konda Rao chuckles.

INSIDE AN OLD WORKSHOP.

Appa Rao finds a photo of Konda Rao he took while falling from the cliff using his Nokia 1100.

CAMERA FOCUS on the MacBook screen as he transfers the photo through wireless to the MacBook and does a Google Image Search.

CAMERA FOCUS on Appa Rao’s eyes which are now red. PAN to the MacBook screen again as he gets to know Konda Rao’s identity which is available on the internet but the Police is unable to access.

ON A ROAD.

MOUNTED CAMERA as Subbalakshmi suddenly appears sprinting on the road being chased by the goons.

INSIDE AN OLD WORKSHOP.

ELEVATED SHOT as Appa Rao calls Konda Rao and warns him of his imminent end.

ON THE ROOF OF A SKYSCRAPER IN BANGKOK.

LOW ANGLE SHOT as Konda Rao gets off his Helicopter and talks on the phone with Appa Rao.

Konda Rao dares Appa Rao and threatens him with dire consequences.

OUTSIDE THE OLD WORKSHOP.

LONG SHOT as Appa Rao walks out of the workshop and looks around for a vehicle to go till Bangkok from Kakinada.

CAMERA PANS towards a Mercedes lying with keys inside.

MERCEDES P.O.V Appa Rao walks towards it and gets into the car.

LONG SHOT as Subbalakshmi, who ran all the way from Hyderabad till Kakinada, passes by Appa Rao.

FOCUS on Appa Rao’s face as he observes Subbalakshmi being chased.

STEADICAM as Appa Rao chases the goons chasing Subbalakshmi and bashes them.

FOCUS on Subbalakshmi’s eyes.

FOCUS on Appa Rao’s eyes.

LONG SHOT as Subbalakshmi runs towards Appa Rao and hugs him.

Song in Egypt.

AT THE LAND’S END.

REAR ANGLE as Appa Rao reaches a dead-end.

FOCUS on the gear rod where Appa Rao rests his hand while Subbalakshmi places her hand on Appa Rao’s hand.

FOCUS on the dashboard where Appa Rao presses a few buttons and the Mercedes becomes an Amphiboat.

Situational song in the Mercedes while they drive to Bangkok over the sea.

ON THE ROOF OF A SKYSCRAPER IN BANGKOK.

SIDE ANGLE as a Mercedes comes crashing down on the roof of the skyscraper.

FOCUS on the Mercedes door as Appa Rao and Subbalakshmi walk out of the car.

LONG SHOT with SIDE ANGLE showing all the characters in one frame.

FOCUS on Subbalakshmi as she identifies Konda Rao as her evil father who wanted to marry her off to someone before she ran away from her house.

PROFILE SHOT of Konda Rao as he tells Subbalakshmi that he asked those goons to bring her back to him.

FOCUS on Appa Rao’s fist which is now clenched with nerves aching to burst out.

RARE ANGLE as Appa Rao runs towards Konda Rao and gives him a choke slam.

Konda Rao’s P.O.V as Appa Rao gives him a powerful blow on his head. SCREEN GOES BLACK FOR A COUPLE OF SECONDS implying Konda Rao is dead.

Song in Thailand.

The End.

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5 Comments leave one →
  1. Srikar Damaraju permalink
    July 19, 2011 3:57 pm

    Loved the Posh lifestyle of Konda Rao.

  2. July 19, 2011 5:27 pm

    What do you think gulties are ya! All advanced technologies only. Best part is running from Hyderabad to Kakinada and songing from Kakinada to Bangkok!

    Cheers,
    Navaneeta

  3. Sandeep P permalink
    November 13, 2011 8:43 am

    I guess the commercial Indian movies are all like that. Recent hits in Bollywood like Bodyguard, Ready, Ghajini are all remade from South Indian stories.

  4. January 3, 2012 1:13 am

    I loved the Godavari/lush fields reference. Don’t you think there should be a large group of friends and some hysterical women around as well?

    • February 5, 2012 8:08 pm

      Haha, yes. Maybe the in the sequel :p

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